{"id":1559,"date":"2024-06-10T18:23:16","date_gmt":"2024-06-10T21:23:16","guid":{"rendered":"https:\/\/juarruda.com.br\/?p=1559"},"modified":"2025-09-04T21:39:53","modified_gmt":"2025-09-05T00:39:53","slug":"palimpsesto","status":"publish","type":"post","link":"https:\/\/juarruda.com.br\/en\/palimpsesto\/","title":{"rendered":"PALIMPSEST (2020 - 2024)"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
PALIMPSEST (2020 - 2024)<\/strong><\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Palimpsest explores the encounter between the intimate and the unknown, and it emerges from a single photograph recovered from the ACHO archive in Campinas\/SP \u2014 a collection that shelters discarded images salvaged from the trash by a group of waste pickers. It is an old, faded photo of a young girl accompanied by a man and a dog. In an era of mass image production, Joan Fontcuberta writes in \u201cLa Furia de las Im\u00e1genes\u201d<\/em> (2020) that more important than generating images is to assign meaning and breathe new life into them. Within this context, the project unfolds as an aesthetic and poetic investigation of the anonymous portrait in contemporary photography, focusing on a small fragment of the image \u2014 the girl.\nThe research delves into the body of the image and the layers behind it, exploring elements such as memory, dream, and fabulation. The marks and skins of the image\u2019s body are removed \u2014 both materially and imaginatively \u2014 while new marks and skins are simultaneously created. Fire, water, and other materials are used, in addition to cuts and stitches, in an attempt to answer questions such as: What can a single image do? How many layers lie behind an image? How many memories can be found within the body of an image? How many presences, stories, words, and fabulations can an image evoke? How many metamorphoses can a single image undergo?\nFontcuberta sees images as living entities \u2014 they are born, grow, die, and return to the cycle of life. When I encountered the photograph of the girl, her absent eyes \u2014 faded by time \u2014 pierced through me and stirred memories. I wanted to return the image to its time, but we were already entangled: the girl and I. Her gaze locked with mine; her skin stitched to mine; her silence fused with mine; her story intertwined with mine.A girl I do not know, yet who eerily resembles me \u2014 the same haircut, the same shoes, the same childhood silence. As I investigate the unknown portrait, I no longer know whether I\u2019m researching her story or mine, whether I\u2019m chasing her memories or my own.\nImages have the power to blow memories out of the darkness. In this sense, the work understands photographs as living, organic bodies that move through temporal latencies and restore vanished bodies \u2014 those who inhabit the image and those who arise from the memories (and new memories) it provokes. Portuguese writer Valter Hugo M\u00e3e, in his book Contra Mim (2020), says that\u201clife is made of constant resurrections\".<\/em>Through this artistic research, I resurrect and construct new memories and meanings for this anonymous portrait, returning it to life \u2014 including through sculptures and objects that transcend the frame of the image, much like overflowing memories. The work also draws on visual metaphors, such as tree bark and a butterfly-shaped shell, evoking the photographic paper and the metamorphoses of the image. Palimpsest began during two artistic residencies held at the ACHO archive in Campinas and unfolds into the essay Portrait of an Almost and Always<\/em> \u2014 composed of photographs, small objects, photographic sculptures \u2014 as well as poems, videos, and audio pieces.<\/p>

Technical file: digital photography, objects, photographic sculptures, videos, and audio.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

PORTRAIT OF AN ALMOST AND ALWAYS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t